Online talk for the University of Alberta’s Sound Studies Institute lecture series: “Winter Walking and Other Scores: Listening as Artistic Practice”

Fulbright #2! Heading to Canada

Artist talk and virtual workshop, Listening Across Time through Epistolary Praxis, for the Research-Creation and Social Justice CoLABoratory’s Art, Activism and Global Crisis series, University of Alberta

Artists work together across distance in the time of coronavirus

Megan Johnston, “If You Can Be Heard, Then You Exist,” essay for Hoping You Are Well exhibition catalogue

Curator Conversations with Helena Reckitt, programming for Hoping You Are Well exhibition at the Salina Art Center

In conversation with Susan Merrick for Woman Up! podcast

Profile for Literary Mama journal, by Christina Consolino

Review of Pandemic Epistles by Chicago Tribune and 60 wrd/min art critic Lori Waxman

Hyperallergic review of Inappropriate Bodies, written by Ksenya Gurshtein

Cultural ReProducers review of Inappropriate Bodies, by Chrissy LaMaster

RACAR: review d’art canadienne of Inappropriate Bodies, by Kim Rondeau (in French)

Kansas Outstanding Art Educator of the Year!

Ralph P. Schrag Distinguished Teaching Award

Studies in the Maternal review of Reconciling Art and Mothering, by Miriam Schaer (following the Routledge issue of the paperback edition)

Berlin Tagesspiegel review of Alice Lex-Nerlinger exhibition, by Carolin Haentjes (in German)

Die Tageszeitung Junge Welt (Berlin) review of Alice Lex-Nerlinger exhibition, by Cristina Fischer (in German)

TV profile on “Hatteberg’s People”